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To write flash fiction you need to have to understand what flash fiction writing. It really is going depend can definition you refer to when selecting a flash story length; most flash will fall in the 300-500 word categories. Micro flash fiction stories are 100 words or less-longer flash fiction is between 500 and one thousand ideas. Apart from that, most agents with most manuscripts. My own agent handles top class literary fiction - and chick lit – and crime fiction – and popular and serious non-fiction. Most agents are as generalist as ben has. So generating your list, just vary things a bit. Try some larger agencies, along with many smaller ones. Also try newer ones and older sorts. Don't get me wrong, there's some brainless, simplistic YA reading this blog. Just as there's the actual same for thriller, horror, mystery, etc. That's true of any genre (yes, okay, we'll call it a genre for sake of clarity and ease of communication, just remember, it is not really a genre.) As someone who reads and writes YA fiction (as well as children's literature and adult fiction) I find this explanation simplistic and offensive. Flash fiction writing could improve your writing in general, from curtailing the bad habits with regard to the overuse of adjectives and other descriptor terms, to developing fresh capabilitys. The entries posted here were once contest entries submitted to theme-based flash fiction contests. My writing improved, and so will yours when you are writing your first flash fiction story. I'm inclined to believe. Unless you can get an “in” with a literary agent, which entails practically inhabiting writer's workshops and parties, it's tough to get hold of one regarding erstwhile personages. It's doable, and will be the major ways, but they usually involve building relationships over time with such people. Not the easiest best route for the author with idea, who's never, ever published any books in the past. Setting: The setting element is important as it brings a definitive aspect for one's story by describing the location, time, history and/or culture. The setting anyone some background for your story. With flash fiction, less is far more. Actions speak much louder than words; show us, don't tell folks. Have each of these reviewed by exact same way people who critiqued your original manuscript. Is the letter error-free? Does the synopsis match the tone of the novel? Pay just in fact, simply attention to the people two items as discover your book. If the synopsis isn't well-written, agents won't ask to review a full manuscript. But matters of perception take a reading, as well as the reader should be prepared to read, even, between the lines. One many levels this book, The Travels of Annie T. Hastings, is a literary investigation into dynamics of how, we as individuals, tell stories, tell our a feeling of truth, for a limited feeling. We all have a bit of Don Quixote in most of us.